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A boxed edition of the two paperback volumed�of this 1992 Pulitzer Prize-winning illustrated narrative of Holocaust survival.
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).
Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.
- Sales Rank: #9369 in Books
- Published on: 1993-10-19
- Released on: 1993-10-19
- Format: Box set
- Original language: English
- Number of items: 2
- Dimensions: 9.50" h x 1.00" w x 6.80" l, 1.88 pounds
- Binding: Paperback
- 300 pages
Review
“The most affecting and successful narrative ever done about the Holocaust.”
—The Wall Street Journal�
"The first masterpiece in comic book history.”
—The New Yorker
“A loving documentary and brutal fable, a mix of compassion and stoicism [that] sums up the experience of the Holocaust with as much power and as little pretension as any other work I can think of.”
—The New Republic
“A quiet triumph, moving and simple—impossible to describe accurately, and impossible to achieve in any medium but comics.”
—The Washington Post
“Spiegelman has turned the exuberant fantasy of comics inside out by giving us the most incredible fantasy in comics’ history: something that actually occurred . . . The central relationship is not that of cat and mouse, but that of Art and Vladek. Maus is terrifying not for its brutality, but for its tenderness and guilt.”
—The New Yorker
“All too infrequently, a book comes along that’s as daring as it is acclaimed. Art Spiegelman’s Maus is just such a book.”
—Esquire
“An epic story told in tiny pictures.”
—The New York Times
“A remarkable work, awesome in its conception and execution . . . at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant.”
—Jules Feffer
From the Inside Flap
Volumes I & II in paperback of this 1992 Pulitzer Prize-winning illustrated narrative of Holocaust survival.
About the Author
Art Spiegelman is a contributing editor and artist for The New Yorker, and a co-founder/editor of Raw, the acclaimed magazine of avant-garde comics and graphics. His drawings and prints have been exhibited in museums and galleries here and abroad. Honors he has received for Maus include the Pulitzer Prize, a Guggenheim fellowship, and nominations for the National Book Critics Circle Award. He lives in New York City with his wife, Fran�oise Mouly, and their two children, Nadja and Dashiell.
Most helpful customer reviews
392 of 397 people found the following review helpful.
Hardcover Includes Parts I and II
By Jay Bee
Browsing through the reviews and comments about Maus, I saw that there was some question as to whether the hardcover edition comprised Parts I and II. This is understandable because the product is listed in Amazon as "The Complete Maus: A Survivor's Tale (No 1)," which seems contradictory.
When I was considering purchasing it, I looked at the number of pages that were listed for the edition and guessed that it included both parts of the story. So I bought it, it arrived fine, and I am now writing to confirm that yes, this edition includes I and II.
Amazon should look into this and remove the "(No 1)" from the listing's title.
163 of 177 people found the following review helpful.
"Maus": an important literary landmark
By Michael J. Mazza
Art Spiegelman's "Maus: A Survivor's Tale" is a unique and unforgettable work of literature. This two-volume set of book-length comics (or "graphic novels," if you prefer) tells the story of the narrator, Artie, and his father Vladek, a Holocaust survivor. "Maus" is thus an important example of both Holocaust literature and of the graphic novel. The two volumes of "Maus" are subtitled "My Father Bleeds History" and "And Here My Troubles Began"; they should be read together to get the biggest impact.
Artie is a comic book artist who is trying to create art that is meaningful, not just commercial. As the two volumes of "Maus" unfold, he gradually learns the full story of his father's history as a Jewish survivor of the World War II Holocaust. There is a complex "book within the book" motif, since the main character is actually writing the book that we are reading. This self-referentiality also allows Spiegelman to get in some satiric material.
The distinguishing conceit of "Maus" involves depicting the books' humanoid characters as having animal heads. All the Jews have mice heads, the Germans are cats, the Americans dogs, etc. It is a visually provocative device, although not without problematic aspects. To his credit, Spiegelman addresses some of the ambiguities of this visual device in the course of the 2 volumes. For example, Artie's wife, a Frenchwoman who converted to Judaism, wonders what kind of animal head she should have in the comic.
"Maus" contains some stunning visual touches, as well as some truly painful and thought-provoking dialogue. Vladek is one of the most extraordinary characters in 20th century literature. As grim as the two books' subject matter is, there are some moments of humor and warmth. Overall, "Maus" is a profound reflection on family ties, history, memory, and the role of the artist in society.
0 of 0 people found the following review helpful.
Great book with lots of symbolism.
By Tyler M
This is an excellent graphic novel. I had to read it for a visual communications course in college. It's difficult to get into a graphic novel for me, but it's a good book with lots of symbolism.
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