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China in the seventeenth and eighteenth centuries was a model of economic and political strength, viewed by many as the greatest empire in the world. While the importance of China to eighteenth-century English consumer culture is well documented, less so is its influence on English values. Through a careful study of the literature, drama, philosophy, and material culture of the period, this book articulates how Chinese culture influenced English ideas about virtue.
Discourses of virtue were significantly shaped by the intensified trade with the East Indies. Chi-ming Yang focuses on key forms of virtue―heroism, sincerity, piety, moderation, sensibility, and patriotism―whose meanings and social importance developed in the changing economic climate of the period. She highlights the ways in which English understandings of Eastern values transformed these morals.
The book is organized by type of performance―theatrical, ethnographic, and literary―and by performances of gender, identity fraud, and religious conversion. In her analysis of these works, Yang brings to light surprising connections between figures as disparate as Confucius and a Chinese Amazon and between cultural norms as far removed as Hindu reincarnation and London coffeehouse culture.
Part of a new wave of cross-disciplinary scholarship, where Chinese studies meets the British eighteenth century, this novel work will appeal to scholars in a number of fields, including performance studies, East Asian studies, British literature, cultural history, gender studies, and postcolonial studies.
- Sales Rank: #3171870 in Books
- Published on: 2011-09-16
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .95" w x 6.00" l, 1.15 pounds
- Binding: Hardcover
- 288 pages
Review
"A book of great substance and originality. The scholarship underlying Yang's work is of exceptionally high quality, demonstrating impressive mastery of a broad range of subject areas. Complementing the depth with which each topic is treated are the author's boldly imaginative gestures of integration and synthesis, by which she weaves together seemingly discrete elements of cultural discourse into richly patterned and freshly revealing forms."
(David L. Porter, author of The Chinese Taste in Eighteenth-Century England)"Well-organized and documented."
(Book Bargains and Previews)"Yang has shown a productive conceptual direction for new scholarship on English writers in this period to take. For raising... important and clearly relevant and persistent issues, she deserves a wide readership."
(Robert Batchelor Journal of British Studies) About the Author
Chi-ming Yang is an assistant professor of English at the University of Pennsylvania.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Illustrates the Connections
By Jeff Zielinski (zielnski@princeton.edu)
This is a very scholarly and multi-disciplinary study of the influence of China - or of the "idea" of China, on literature and morals in England in the 18th Century. It is a study of emerging globalization in a society experiencing accelerating social & economic change, with all the attendant disruptions thereof. Professor Yang has done a great job to illustrate the connections between literatures that are typically not studied in tandem. The book is intended for a highly literate and/or scholarly audience.
0 of 0 people found the following review helpful.
Fantastic
By Lien
This book is a must-read for those who want to learn more about the relationship between China and Britain during the eighteenth century; how contemporary material practices such as theater and commerce influenced cultural constructions of China in Britain; and indeed, how particular cultural values such as virtue were shaped by intercultural contact between these two places. Yang's work is innovative, thorough, and exceptionally erudite.
1 of 2 people found the following review helpful.
A Perfect Debut
By Ryan J. Ortega
Penn's English and Program in Comparative Literature and Literary Theory is making amazing additions to their Faculty. This book is yet another in an increasingly impressive list of titles authored by a member of our Faculty. Along with Dr. Park's 'Apparitions of Asia' (Oxford: Oxford University Press), 'Performing China' is a necessary read. This work is beautifully authored, beautifully laid out, and beautifully designed - simply holding this work makes one feel inspired. This text marks a major contribution, not only to a subfield of Letters, but to the entire field of the Humanities proper.
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