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Robert Bresson, published in 1998, remains one of the most acclaimed and thorough examinations of the French director’s vision and style. Robert Bresson (Revised) reproduces essential contributions from the original edition, including essays by Susan Sontag, Andr� Bazin, P. Adams Sitney, and Kristin Thompson, and features new or original material by David Bordwell, Mark Rappaport, Shigehiko Hasumi, Jonathan Rosenbaum, Serge Daney, Jean-Michel Frodon, Colin Burnett, Richard Suchenski, and filmmakers Jean-Pierre Gorin and the Dardenne brothers, Jean-Pierre and Luc. With more than thirty key articles by leading critics and scholars, interviews, commentaries by important contemporary filmmakers, and an illuminating symposium on the director’s current stature, Robert Bresson (Revised) is an invaluable volume for anyone seeking to understand the director’s austere perfectionism and the beauty of his singular body of work.
Published by the Toronto International Film Festival and distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
- Sales Rank: #3455974 in Books
- Brand: Brand: Toronto International Film Festival
- Published on: 1999-06-04
- Original language: English
- Number of items: 1
- Dimensions: 9.38" h x 1.30" w x 6.42" l,
- Binding: Paperback
- 784 pages
- Used Book in Good Condition
Review
" . . . a fine, fat volume of appreciations and interviews . . . " -- Richard Corliss, Time
" . . . important . . . a very welcome work of reference for professors, librarians and all those interested in the oeuvre of Bresson." -- Le Figaro
" . . . impressive anthology . . . " -- Molly Haskell, Film Comment
About the Author
James Quandt, senior programmer at Cinematheque Ontario, is also the editor of Kon Ichikawa and Shohei Imamura.
Most helpful customer reviews
5 of 5 people found the following review helpful.
fine compilation of writings on bresson
By Kristopher Kincaid
last year i recieved one of the best christmas presents i could ask for: this book. while i wouldnt recommend it to anyone that isnt a bresson fan it holds plenty to mull over for those that are. while a few of the articles are dull and/or pretentious more often than not they are highly illuminating as to the director's methods. there are one or two articles devoted to each of his films and a few that are just about his films in general. this first section of the book ends with bresson's cinematographer for "diary," through to "joan of arc" writing about his love/hate relationship with bresson and an interview with the young man who played the lead in "the devil, probably." the second part of the book contains three interviews with bresson: the paul schrader, which is fidgety and odd; the godard, which is exhaustive, rambling and very enlightening; and the final one whose author slips my mind which is great but unfortunately short (conducted after the completion of what would be bresson's last film, "l'argent"). the final section of the book is basically several directors talking about why they like bresson. this section ranges from short, humorous stories (the fassbinder and aki kaurismaki) to long essays on bresson's style(malle, etc.). other directors quoted in this final section include tarkovsky, bertollucci, wenders, hal hartley, and atom egoyan.
1 of 1 people found the following review helpful.
Bresson mania
By Tosh Berman/TamTam Books
My personal hero of the aforementioned European art-movie genre -- Robert Bresson -- is the subject of a new book edited by James Quandt. Robert Bresson includes interviews with the director by fellow filmmakers Jean-Luc Godard and Paul Schrader and French film critics Michael Delahaye and Michel Ciment. There are also homages from directors like Martin Scorsese and Rainier Werner Fassbinder, as well as essays by Roland Barthes and Alberto Moravia. One might wonder why such famous and accomplished people took the time to write about a French filmmaker whose movies are not known to the general moviegoing public. The answer is that the late Bresson actually was one of the great figures in cinema. His austere directing style relied on slow and beautiful imagery and much suffering on the part of his main characters, resulting in films that, once experienced, is never forgotten. One can describe Quandt's book the same way
4 of 4 people found the following review helpful.
The Definitive Guide to Bresson
By Josh Siegel
Editor James Quandt, an esteemed film curator at the Cinematheque Ontario, has assembled the best writings on Robert Bresson, intelligently balancing scholarly analysis (including that of Barthes and Moravia), filmmakers' homages (from Scorsese to Fassbinder, Cocteau to Duras), and accessible primers on the French director's work (by Susan Sontag and Andre Bazin, among others). Particularly noteworthy are the interviews Bresson conducted with Jean-Luc Godard, Paul Schrader, and the French critics Michael Delahaye and Michel Ciment. A MUST for anyone interested in film history and in one of the few directors worthy of the appellation "genius."
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